INFILED AND BROMPTON
BRING BIG LED TO THEATRE

“They appreciate Brompton software’s visual clarity, which makes it immediately obvious if there’s a cable fault, for example. Other systems I’ve used can conceal such information behind the user interface, leaving you with little insight beyond knowing there’s a fault. I feel the combination of SSS, Brompton Technology, and INFiLED have brought LED to theatre in a much bigger way than ever before,” he says.

Trenchard also highlights a distinct difference in Brompton LED processing’s colour reproduction, particularly when operating at lower intensities. “Running at full brightness is rarely necessary in theatre, and is often too much,” he notes, adding that screens typically run at no more than 80 percent of their maximum brightness.

“In the world of nuanced theatrical productions, where subtlety matters, particularly when creating texture and gradients, Brompton LED processing consistently delivers impeccable results,” he exclaims. “As soon as Andrzej puts his work up on the screen, it’s precisely how he expects it to look. Additionally, we can do things at very low light levels and have slow, extended fade times, avoiding issues like banding and colour shifts encountered with other LED processing brands.”

Another important factor is the support provided by Brompton’s technical team. “The quick and helpful responses we receive, whether via email or on-site visits, are vital in my line of work; rapid reactions and precision are paramount,” he states. “Having Brompton as a reliable partner significantly reduces stress levels and contributes to our success. I’m very happy to work with products that do exactly what they say on the tin.”

Reflecting on the unique challenges of the theatre market, Trenchard acknowledges the need for versatile solutions that balance diverse requirements within budgetary constraints. “We’re not in the realm of broadcasting, nor are we huge bands like Coldplay. We need a bit of everything, it has to be cost-effective, and we need it right now,” he jokes. “Understanding the capabilities of the products is truly important. This holds true for Andrzej as well. He invests significant time contemplating the outcome of his work, and when we step into the room, the ability to reproduce an image accurately on the screen is everything to him.”

With both shows deemed resounding successes, Hurley says that the feedback on Brompton LED processing has been overwhelmingly positive.

“The reaction is unanimous – everyone loves Brompton,” he concludes. “It’s definitely the way forward. We’re pleased with the support and reliability, and our team have been very grateful for the training Brompton’s provided. Having the manufacturer on hand to provide all this is a significant benefit.

“Theatre involves a dynamic range of LED usage. At low brightness, Brompton’s Tessera LED processors excel in dimming the visuals while maintaining the definition of the image overall. The finesse of the processor in controlling the panels in this way is truly remarkable.”